Carole Feuerman’s Art: Verisimilitude, Aesthetic Value and Artistic Freedom


The modernist sculpture of Ivan Minekov

by Claudia Moscovici Ivan Minekov represents the rich and diverse tradition of Modernism in contemporary sculpture. Born in Bulgaria, he’s a graduate of the Academy of Fine Arts Nicolae Grigorescu in Bucharest, Romania. A student of Paul Vasilesku, Ivan Minekov quickly distinguished himself throughout Eastern Europe in the domain of sculpture. Versatile in terms of material, subject and style, Minekov’s wood and bronze sculptures range from elongated figures reminiscent of Alberto Giacometti‘s art, to the more minimalist and essential forms associated with Constantin Brincusi, to comparatively realistic figures similar to AugusteRodin‘s. The sculpture featured above, for instance, resonates with Brincusi’s famous Platonic saying that sculpture captures the essence of forms rather than their external appearance: “There are idiots who define my work as abstract; yet what they call abstract is what is most realistic. What is real is not the appearance, but the idea, the essence of things.…

One of the Most Expensive Paintings Ever Sold at Auction / Monet

Claude Monet, Meules, 1890Sold for: $110.7 million at Sotheby’s (May 14, 2019)

Sotheby’s 2019 auction of Impressionist and Modern Art in New York saw Claude Monet’s Meules achieve nearly twice its pre-sale estimate. It also surpassed Monet’s previous auction record for Nymphéas en fleur, which sold for $84.6 million in May 2018. Meules is part of Monet’s notable Haystacks series, one of the most recognizable from the artist’s oeuvre.
Regards, Gallery France

A Spectacular Pissarro that Escaped Theft by the Nazis

Sotheby's Impressionist & Modern Art Evening sale on 19 Junefeatures a magnificent workby Pissarro that narrowly escaped theft by the Nazis.

Pissarro's series paintings of Paris in the late 1890s are amongst the supreme achievements of Impressionism, taking their place alongside Claude Monet’s series of Rouen Cathedral, poplars and grain stacks and the later waterlilies.


This painting has a dramatic story. Formerly owned by Alfred Sommerguth, a Jewish businessman who built his fortune through his leadership of the German tobacco conglomerate Loeser & Wolff, it nearly fell victim to the Nazi theft of Jewish property carried out during the late 1930s. While many of the works in the Sommerguths’ extensive art collection were looted by the Nazis, Alfred and his wife Gertrud managed to ship 22 of their best paintings, including this one, to Switzerland, where they were loaned to the Sturz…